Category: News/Updates

Bad News and Troubling Reactions

Every writer wants to be published. For many, it’s the Big Thing. It’s the external validation, the justification for continuing on with all this madness. But in today’s world, it’s also very easy, and writer exploitation is a rampant nuisance.

Like most writers starting out, the first paid fiction sale was my main goal. Not word count, not long-term project completion, not mastering the craft; I wanted, first and foremost, to be published.

And in August 2010, I received an acceptance for my first story, “Night of the Widow” — not a great story, but one I was proud of at the time. It was purchased — or at least contracted for — by Bill Tucker of the Library of Horror Press. Mr. Tucker is a great guy, so far as I’ve been able to tell, and has worked hard for the Library. I went on to sell three more stories to Mr. Tucker for various Library of Horror Press anthologies, one of which was paid for and published. The other three, I just read on the publisher’s forum, have been cancelled, for financial reasons. So they’re no longer listed on my bibliography page, and will likely never see print. I’m fine with this, despite my initial disappointment.

But what troubles me, aside from my own interests in the matter, are other writers’ reactions to this small press going broke and subsequently cancelling upwards of a dozen — if not dozens — of announced themed anthologies. Each of these books was conceived as a themed collection of stories, and then an editor (to be paid on release of the anthology, like the writers — the editors have been equally wronged) would read, select, and send out contracts for chosen stories. Then a table of contents would be posted, and a vague, tentative release date such as “Spring 2011″ would be posted.

Due to financial difficulties — i.e., poor sales — the projects were simply abandoned. And writers, editors, and cover artists were left unpaid (I’m assuming — cover artists were perhaps paid on completion of their work) and unpublished — which happens all too often in this industry. I’d read the horror stories more times than I can count, and yet I always assumed nothing like this would ever happen to me.

But the writers involved are fine with this! They’re disappointed, sure, as I am — but they’ve offered up propositions such as:

  • accepting a one-time advance of $5.00-$10.00 in place of the contracted 1 cent/word + contributor’s copy
  • attempting to use Kickstarter as a way to fund books that have already been compiled and contracted for
  • and even: paying for the publication of the books in place of accepting payment!

Are we so fucking desperate? Do we never want to have careers?

The writer is such a delicate artist, such an utterly senseless creature, that he is willing to look past simple business sense, accept no payment — which he was promised long ago, perhaps over a year ago, when the contract was signed — and be happy about it?

Involved parties have suggested that a penny per word is itself a problem, that the publisher wouldn’t be going broke if it hadn’t customarily promised writers compensation of 1 cent/word plus a contributor’s copy, and then only the editors and cover artists would need to be paid. Fuck… Aren’t these books of stories? Written by writers?

Anyway, my anger is not toward the publisher — a labor of love with a very passionate community surrounding it — and certainly not toward the editors, but toward the writers themselves, who are too stupid to recognize the seeds of exploitation, who are fully willing to forego payment of any kind, or even pay the publisher to fund the book’s release. This is not the way publishing works — it was never intended to work this way, and it shouldn’t ever work this way.

If someone is in such a big damn hurry to be published, he ought to take ten minutes to convert his document to .mobi format and throw it up on Amazon. Or put together his own pay-on-demand anthology project — and hell, don’t offer contributors any sort of compensation for their work. Maybe they won’t mind.

But dammit, writers, stop giving away your work for free. Writers get paid.

Say hello to my little friend…

Went to pick up my copy of Chuck Palahniuk’s latest, Damned, at my favorite local indie bookshop, Stone Alley Books & Collectibles, and the very next day this infant demon followed me home. I suspect he’s just hungry — probably for my soul — so I plan on feeding him for a few months, nurturing him until he can fend for himself, and then letting him go. He has bloodshot eyes, and a temper that makes his fiery igneous-rock complexion glow. It’s only a matter of time before he catches the house on fire, I fear. And, he says, as soon as I finish reading Chuck’s new book, I have to write a novel about him. Says his handwriting’s pretty bad, and every time he tries to type his fingers melt the keys — so I can either ghostwrite his memoir, or go to Hell, he says.

I figure, what the hell? I can keep him happy, and come out the other end with a novel manuscript in-hand. Sounds okay to me. Says he wants plenty of death metal, cuddly infant demons, and scary shit to happen — not an exaggeration, according to him, but rather an apt metaphorical illustration of his life experiences.

Damned is great so far, and to my relief bears no similarity to my other beloved Satanic bible, Horns, so I’m thinking the subgenre of the demonic dark fantasy story still has plenty of life left in it. I need to get a novel or two under my belt, and science fiction seems like a big chunk of research to chew on right now, given my obligations to schoolwork, etc., so horror it is. I’m enjoying the outlining process so far.

Fragile Magic

Okay, so I’m currently clattering right along on a short story called “Fragile Magic,” for a horror anthology I really want to appear in. My self-imposed daily word count is now 500 words/day when possible, and on Tuesday, Wednesday, and Thursday of last week, I succeeded with flying colors. The story is wrapping up nicely and I should have a finished first draft tomorrow afternoon.

Either Thursday as I was writing or Friday during work, I began to notice an annoying, dull pain in my upper back that has in the intervening days spread to my left pectoral. I’m 22 years old, and this is freaking me the fuck out. So I haven’t written much in the past three days — got about 200 words in today, though — and I am going to be making a trip to the doctor’s office soon. I don’t eat healthy, I’ll admit it, but I think my real problems are: poor posture due to sedentary writer’s lifestyle, desk job, etc.; caffeine addiction — I drank at least six cans of soda on Friday, when my pain was at its peak, and a cup of coffee as well; and lack of regular exercise.

I mean, hey, I walk all over a hilly college campus daily, but that’s about it. And some stairs and a walk around the park with the girlfriend and the dog a couple times a week. Friday night after a dizzy spell (brought on as I was hunched over my laptop and scaring myself half to death by Googling things like “Chest Pain and Back Pain 22 yrs old” and “Heart attack symptoms”) I took three ibuprofen (600 mgs, which some search result suggested for heartburn) and slept flat on my back.

Saturday I woke with no pain whatsoever, and that persisted until the girlfriend and I went out for a hearty meal at the good ol’ Olive Garden, where I ate my fill and drank a Diet Coke — my first soda of the day, due to the scare the night before — and things were good. Sunday and today, I went back to my bad habits and now the pain is easing back into the level of “relative nuisance,” for lack of a better metric.

Feel free to chime in and share stories of your own regarding back and chest pain (mine came first as back pain, then progressed to chest pain the following day). For the love of Cthulhu, put my mind at ease.

Nonfiction Sale

I’m quite pleased to report that my critical essay “Individualism, Atheism, and the Search for God in Cormac McCarthy’s The Road” has been accepted for publication in The New York Review of Science Fiction. The Review is a monthly print journal of literary criticism on the science fiction genre, established in 1988 by David G. Hartwell, Samuel R. Delany, and a handful of other passionate writers and critics. It has previously published essays by the likes Ursula K. Le Guin, John Kessel, Samuel R. Delany, John Clute, David Drake, Allen Steele, James Patrick Kelly, and Michael Swanwick. Color me chuffed.

The Huffington Post Reacts to LitReactor

Over at The Huffington Post, an article titled “LitReactor Is a New Writer Website With Online Classes, Workshops, Content. Is It Worth The Money?” goes over the main features of LitReactor, gives a glimpse at the interface, and explains the various services, price points, and their initial reactions about the site, which launches tomorrow(!), October 1st:

Overall, LitReactor has some smart ideas to try and encourage skills-based learning and community engagement for writers. It offers a well-designed system that seems easy to use, and is designed with simplicity and community at its heart.

Some will balk at the idea of having to pay to access crowd-sourced feedback, however payment for peer critique has become quite common in sites such as these; in return, users can usually expect a more moderated, and considerate feedback space. A community is only as good as its members, but the points and badges systems, borrowed from videogaming, are a great way of encouraging good behavior.

As for the classes, they can only be judged by the individual needs of their students, and the skills of the teachers, so we can’t really comment. A writing class can either be a great way to inspire better work, or an expensive distraction from it. All we can say is that the website that underpins it all seems to be solid, clear and easy to use. The launch selection of content in the Magazine also looks engaging and interesting, too.

If LitReactor gets enough of a critical mass (no pun intended), and a decent archive of useful content, then it could become a great resource for experienced and amateur writers. The big question is, will enough engaged members pay their dues and stick around, in order to make it work?

 

Sale: “In the Arms of Lachiga” to Digital Science Fiction

This announcement’s pretty belated, since I received word of the sale roughly a month ago, but it’s still deserving of its own blog announcement. One of my favorite short works, the cyberpunk story “In the Arms of Lachiga,” is slated to appear in the as-yet-untitled Digital Science Fiction Anthology 4, the fourth installment in a new, pro-paying quarterly anthology series. Its tentative release date is set for October 2011, with Christine Clukey returning as editor for the third time.

And my wishful guess is, artist Emmanuel Xerx Javier will likely be tapped to do the cover art again. If you haven’t checked out his work on the artwork for the first two volumes, head over to Amazon and take a peak. His work is insanely awesome.

Word also has it that Eric James Stone and David Tallerman have both sold stories to Digital Science Fiction project lead Michael Wills, so who knows? — maybe my work will appear alongside theirs. Tallerman in particular has been a big influence on me over the past year, after reading his brilliant but haunting “Jenny’s Sick” in Lightspeed.

Yep. The fabled First Pro Sale, folks: She finally arrived. I can’t tell you how good that feels, after all the work — the writing, administrative this-and-that, and waiting — that we all go through in the path toward being a published professional. And now I feel I can rightly call myself just that.

A published. Professional. Science fiction writer.

Yeah, sounds all right to me.

LitReactor

LitReactor, an exciting new reader/writer website from the team behind ChuckPalahniuk.net, goes live October 1st, but the splash page is already up and looking phenomenal. Dennis Widmyer, the site’s webmaster, is one of the three directors behind Postcards from the Future: The Chuck Palahniuk Documentary, as well as the brains behind The Cult, Chuck Palahniuk’s official website.

Here’s what the splash page says about LitReactor:

A new site from the team behind ChuckPalahniuk.net. A destination for writers to improve their craft. A haven for readers to geek out about books. And a platform to kickstart your writing goals.

Be the first to be notified about our opening slate of Classes by joining our Newsletter and following us on our Social Media feeds.

We launch October 1.

So, besides the obvious fact that this site’s gonna kick serious ass, why should you care? Well, because yours truly has been tapped to contribute science fiction and fantasy book reviews to the site, that’s why. I’m expecting some really solid content. If you haven’t been to The Cult, you should go check it out to get a taste of the sort of caliber that LitReactor will deliver right out of the gate.

In addition to a slew of fantastic book reviews, the site will feature an online workshop, focused fiction classes, and an email newsletter with writerly advice — which I urge you to sign up for now, on the site’s splash page. Seriously, guys, LitReactor is going to rock. And a little birdie told me that fucking Chuck himself might even drop by the online workshop on occasion.

Okay, bye now. Be gone. Sign up for that email newsletter! Oh, and don’t forget to follow LitReactor on Twitter. And Facebook. Hell, +1 that shit on Google or whatever.

Writers of the Future Q3 Results

After two consecutive straight rejections, I finally received my third Honorable Mention in the international Writers of the Future contest, for my short story “Prospect of a World I Dream.” Something of a bummer, but hell, I’ll take an HM. Truth be told, I’m most excited about having the story back to shop around to my dream markets. It’s easily my best work to date, and I feel very good about where it might end up. Fingers — as always — are crossed. So still no Semifinalist or Finalist, but at least I’ve got another marketable story I’m proud of.

Available Now: “El Mirador” in Mirror Shards, Vol. 1

My first published science fiction short story, “El Mirador” is out now in Mirror Shards: Extending the Edges of Augmented Reality, Vol. 1, available in standard ebook formats from Kindle, Nook, and Smashwords, trade paperback from Amazon, and other major online retailers.

What’s that you’re chanting? Oh, a sample? Sure, why not:

El Mirador
by Alex J. Kane

You wake to find yourself in a cramped, foul-smelling capsule spacious enough for one. After coughing up congealed phlegm and bronchial surfactant, you stretch your arms and legs, roll your neck, and glimpse the artificial world beyond the escape pod’s porthole.

The Niven habitat El Mirador stretches out before you: a pearlescent band filled with verdant earth and vast oceans, its distant pinnacle arcing sunward to the point of near-invisibility.

A ping flashes in the corner of your eye; then highlights your destination, and marks it with real-time ETA and proximity data.

Two blinks, in rapid succession.

The pupil-centric indicator in your field of vision hovers to CONTINUE ON PRESENT ENTRY VECTOR, and winks green.

You rub the coarse sleep from your eyes, and wonder just how long it’s been since you were put into cryo. Has it really been twelve years? Thirteen? Does the mission still stand, after all this wakeless time?

Pulling up the contract shows it was last synced with Astralum Corporation’s database just over a month ago.

Valid. Incomplete.

You’re still their dog, still on the hunt.

Just a highly intelligent, highly dangerous animal, as far as the suits on Earth and the inner colonies are concerned. The Lagrange points, they probably snicker from a coward’s safe distance, befit an engineered killing machine like you.

All that wild emptiness. [...]

Want more? Then you’ll have to download the sample. If you like what you read, then I urge you to purchase the book and explore the vast storytelling potential of the exciting technology of augmented reality.

Oh, and –

Contest time!

The first two awesome folks who buy the anthology and email me a plain-text copy of their receipt or purchase confirmation page via the Contact page will receive one of my two previous publications: Made You Flinch: Stories to Unnerve, Disturb, and Freak You Out or Dark Highlands, Vol. 2. Zero shipping cost, entirely at my own expense, signed and personalized any way you want it. All you gotta do is email me some kind of proof that you picked up Mirror Shards, and you get a second book free out of the deal. My way of saying thank you to all of you who follow the blog and listen to my ups, downs, complaints, and successes. You guys are great.